Showing posts with label ARTS. Show all posts
Showing posts with label ARTS. Show all posts

Thursday, May 27, 2010

The Art of Decorative Painting

In the spirit of celebrating everything that is Art, I would love to introduce you to Ann Onusko of All things paint an plaster.  Ann is one of those lovely ladies whose touch transforms mundane things into beautiful art - be it an unloved piece of furniture or a patch of dirt.  I stumbled upon her blog a few weeks back and just fell in love with the fact that all of her posts clearly reflect who she is and what she loves.  The blog is written from a gardener/faux finisher point of view.  You will see images that seem to be unrelated and at the same time define an idea behind her creation (see here and here).  It is a fantastic opportunity for people like myself who are in awe of what goes on in an Artist’s mind.  For the interior designers in the bunch, as well as architecture buffs, I guarantee you all will enjoy spending hours perusing her posts looking at a wall, a piece of furniture, a pediment thru the eyes of an artist. 
~~~
AO's_up-doo_7-7-09
Ann Onusko  
Background

I am the second oldest of sixteen children and was raised in a very loving, active environment. As one of many children, I had to learn very young to speak up and be direct if you wanted to be heard at all! Consequently, I am a rather straightforward person, although I admire those who can wax poetic, as the saying goes.

After graduating with a BSRN degree from St. Louis University, I worked as a home care RN on and off for ten years while I was beginning to raise my three children.  I fell in love with gardening during the times I was home with my children and spent their nap time hours outside tending the flowers and vegetables. Eventually I began drying the flowers and creating arrangements and wreaths. I went to work in a flower shop and moved on to working for a special events decorator who opened up a whole new world for me. As the need for creating props increased, I began to study faux finishes and decorative painting all over the country. I couldn’t get enough! I now plaster and paint with my own company, Great Lakes Decorative Arts Studio and do freelance container gardening and other special projects.

My blog is All things paint and plaster….

The Shiny Pebble:  How do you define your style?
In my home, eclectic and European. In my dress, more traditional, although it is hard to say as I am usually dressed down for painting and gardening.  In my beliefs, rather liberal.

TSP:  What inspires you?
Excellent design, others with a passion for what they do and love, creativity, colors, textures and scents.

TSP:  What designer or life experience has influenced your design aesthetics?
In the painting world, Raphael and Michaelangelo.  In the modern times, I love Mark Rothko and Marcia Meyers. There are so many “unknown” painters in our contemporary world who I have met through online forums and conventions, and I have the utmost respect for them.

In the design world, I very much admire John Saladino and Axel Vervoordt.
As far as gardening and flowers go, I was inspired by two books: Earth on Her Hands and The American Woman’s Garden. Both demonstrated to me that a woman can do anything she sets her mind to do.

TSP:  Where is your go to source?
Books: from one of the best libraries in the country, the Cleveland Public Library in downtown Cleveland. It has a huge Arts and Garden section and it is very rare not find what I am looking for there. Of course, magazines and the internet also.

These sources allow me to find the professional painting products and flower and herb vendors with the most unusual offerings. I prefer to do what others are not doing!

My decorative painting projects range from lots of furniture finishes and cabinet re-dos to custom commercial applications, such as two large Art Deco screens, office and studio backdrops and finishes and two Italian domes with eight columns (see it here). While I enjoy most types of finishes, I prefer the more modern, contemporary finish. Gilding is also a favorite.

When working with a client, the key is to discover exactly what they are looking for. Often, they are not able to actually define that, but through visuals, such as photos, samples, botanicals, etc., we determine together which direction I should take. I will then create samples until we nail down the finish. It is very much a road to travel together. And, of course, changes often need to be made as I am working on site.

This first photo is a replication of a 1924 Art Deco screen by Edgar Brandt:
Brandt_Art_Deco_Screen_5-09_web2
Here are a few before and after photos of various projects:
This gold painted and peeling mirror was re-finished to coordinate with the client’s more contemporary décor:
Granziermirorafter4web-1
This hutch went from a 1960’s paint finish to a French gray:
Nicholshutchafterweb-1
This fireplace was in need of major repair, so the client decided to lighten the look and remove the gray overtones:
Reeffireplaceafter2web-1-1
The cement floor in this studio was awful, as you can see. I repaired and refinished it with water-based products that will stand up to the abuse that it will receive. It lightened the whole area:
PBSfloorfinalweb-1
This office had been painted a lime green that needed updating. It is now a shimmery, off white metallic that can be scrubbed and is accented with an eggplant gray:
PBSofficeafterweb-1
Last, but not least, this is my French Indochine finish. It was inspired by a client’s Pierre Frey pillow that she wanted to use in her powder room. I have done it two ways: the middle photo shows a topaz Venetian plaster background with a shimmery orchid metallic used to fill in the Chinoiserie design. The far right photo shows a different shimmery amethyst background with a topaz Venetian plaster filling in the design:



Thank you, Catherine, for this opportunity to explain a little of what a decorative painter does!

~~~

I absolutely adore her French Indochine work and would love to have a whole room covered in this finish!  And now, because I am so jealous of her green thumb, I will leave you with a few fabulous garden pictures from Ann’s bountiful Eden…
Spring_in_Bay_web
Spring_peony_almost_open_web
Garden_1_web_

Thursday, April 22, 2010

A cultural excursion into the heart of Inhotim


A little late into Earth Day, but never too late to care...

I am linking this post to my dear friend,  Housewife Bliss, who is hosting a weekly blog hop. Of all of her nifty categories, I have chosen: "A little birdie told me about..."  In characteristic Housewife Bliss style, I will try to emulate my hostess' grace and elegance in reminding us that, as housewives we must maintain a well rounded knowledge of current events and the arts, which reach beyond our blissful homemaking chores.  This will provide our children guidance and our husbands and friends the stimulation needed to nurture these relationships.  So today I chose to share a little bit of  'culture' with my readers.

The newest issue of Departures has been appropriately dubbed The Culture Issue.  A pretty fun read.  One of the articles was on the Instituto Cultural Inhotim, in Brazil.  Inhotim is the home of one of the largest botanical collections in the planet, which also serves as a depository of greater-than-life, specially commissioned installations by well known contemporary artists from around the world.  The institute is located in a remote area of the country.  Its beauty is only enjoyed by locals and art world insiders.  I would love to share a little bit of it with you:


 3,000 acres of preserved native forests and gardens.  The landscape was designed to surprise the senses with unfurling vistas as you turn corners of the winding paths.
 Home of over 136 species of birds, it is also houses over 3,500 plant species 

 The botanical park is punctuated by pavilions... 13 of them.  Each with its own collection or installation.  The one above is an installation by Cildo Meireles, "Atraves"("Through") in mixed media.

 Chris Burden's Beam Drop
"Rodoviaria de  Brumadinho" (Brumadinho's Bus Station) John Ahearn and Rigoberto Torres. Fiberglass and auto paint
Lezart" by Tunga. Steel, copper and magnets.
Doug Aitken's Sonic Pavilion, where when you enter it a buzzing sound that varies with the time of day amplifies the noise coming from below the earth 300 meters deep.

I cannot stress the uniqueness and magnitude of this place.  There is no other museum of this magnitude and scope in the world. The vast landscape and numerous stand alone exhibits within this remote location is singular in every way.  I am glad I had a chance to share it with you.

PICTURES TAKEN BY VARIOUS PHOTOGRAPHERS FROM MULTIPLE PUCLICATIONS.  IF YOU TOOK THIS PICTURE, PLEASE  CONTACT ME SO I CAN GIVE YOU THE APPROPRIATE CREDIT.

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